Autumn
short courses & workshops commence 19 April
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Materials List SEMESTER 1 2008
Art materials
are not available at Brisbane Institute of Art so please check with the
following suppliers for your art materials requirements:
Eckersley’s Art Supplies:
Oxlades Paint and Art Centre Retail Art Supplies:
PAINTING
Painting I (Robert Andrews)-
An A-5 visual diary (or similar) and a pen or pencil (for note taking) - the
visual diary will also be used during the semester. A small range of
acrylic paints in 75ml tubes, or similar - e.g. white, black, cool red
(crimson), cool blue (pthalo blue), cool yellow
(lemon), Payne's grey. A more extensive list will be given out during the first
class. - A few bristle brushes - e.g. one each of size 8, 10 & 12
flat-ended bristle. - A water container for cleaning brushes Three sheets
of A-2 cartridge paper OR canvas paper,- A pair of scissors, - A cleaning rag,
- A recycled ice cream lid, or similar, for use as a mixing palette, - Two
bulldog clips
Painting I (
Painting I (Nameer
Davis) 5 Brushes from size 0 up to 25 mm,
palette knife or putty knife, Acrylic paints student quality. Minimum requirement – red, blue, yellow,
black, white, raw umber, Gel medium (gloss or matt), Painting surfaces - 2 sheets of canvas
embossed paper A1 size or A3 Canson oil/acrylic
painting pad, One litre Water container, Painting
cloth or paper towel, Plastic Pallette with large and
small recesses for mixing paint, If you think you may have any skin allergies
to acrylic paint please bring disposable latex gloves or rubber gloves.
Painting II (
Painting II (Nameer Davis)
5 Brushes from size 0 up to 25 mm, palette knife or putty knife, Acrylic paints
student quality. Minimum requirement –
red, blue, yellow, black, white, raw umber, Gel medium (gloss or matt),
Painting surfaces - 2
sheets of canvas embossed paper A1 size or A3 Canson
oil/acrylic painting pad, One litre Water container,
Painting cloth or paper towel, Plastic Pallette with
large and small recesses for mixing paint, If you think you may have any skin
allergies to acrylic paint please bring disposable latex gloves or rubber
gloves.
Painting III (
Painting IV (Jill Barker) Your usual painting materials
Studio Painting (Warren Palmer) Your usual
painting materials
Introductory Watercolour (Mia Clark) 280gsm Watercolour Pad A3
size (Montral is a good brand), Student quality tubes
of watercolour paint – red, blue and yellow (DO NOT
BUY MARIES OR MONTMATRE), masking tape, scissors, drawing boards, palette,
tissues or paper towels, water containers x2, pencil or eraser, brushes small
(size 0-2), medium (4-6) and large (8-10) – round and flat brushes.
Introductory Watercolour (Allin Dwyer) Visual diary; 1 sheet 300gsm Watercolour
paper (rough – Saunders or Arches); roll
of masking tape; a good quality watercolour brush (round, No. 8, 10 or 12 – eg. Roymac, imitation sable); mixing palette; 2 water containers (eg.
plastic cups); 2B pencil; soft eraser;
a box of tissues; Watercolour paints :
Cadmium Yellow Light, Yellow
Ochre, Cadmium Red, Alizarin Crimson, Ultramarine Blue, Viridian, Burnt Sienna.
Introductory Watercolour (Penny Gilbert Ng) In addition to
materials you already have ~ Watercolour brushes (You will need good size brushes size
12 with good point and larger either natural hair or synthetic/natural mix a
rigger size 0 or 1 and 1 inch flat or larger);
Watercolour Paper (either Saunders or
Arches; Weight & Grade. = 300 gsm rough); Pigment
(I would like you to use Artists quality pigment in preference to Student
quality as you achieve better results – Colours
: Quinacridone Gold, Permanent Magenta, French Ultramarine); Other items ~ Watercolour
palette (white in colour with big areas for
mixing), backing board (MDF or Perspex -
approx half sheet size), pencils (2B or
4B), kneadable
eraser or plastic eraser, old
towel, box of tissues, water sprayer, 1 large water container, roll of 18mm masking tape, note book and pen for note taking, small sketch book.
Expressive
Watercolour (David Paulson) Rowney Watercolours [Burnt
Sienna, Alizarine
Crimson, Vermillion, Veridian, Lemon Yellow,
Cadmium Yellow, Ultramarine, Cerulean Blue]; water container (eg. ice cream bucket);
1 sheet of watercolour paper; plus one of any brush.
Intermediate Watercolour (Allin Dwyer) Visual diary; 1 sheet 300gsm Watercolour
paper (rough – Saunders or Arches); roll
of masking tape; a good quality watercolour brush (round, No. 8, 10 or 12 – eg. Roymac, imitation
sable); mixing palette; 2 water containers (eg.
plastic cups); 2B pencil; soft eraser;
a box of tissues; masking fluid; cheap small brush; a No. 8 bristle brush; a good quality No. 3 watercolour
brush (imitation sable); Watercolour paints :
Cadmium Yellow Light, Yellow
Ochre, Cadmium Red, Alizarin Crimson, Ultramarine Blue, Viridian,
Burnt Sienna, Cadmium Yellow
Warm, Raw Sienna, Burnt Umber,
Thalo Cyanide Blue, Paynes Grey.
Intermediate Watercolour (Penny Gilbert Ng) In addition to
materials you already have ~ Watercolour brushes (You will need good size brushes size
12 with good point and larger either natural hair or synthetic/natural mix a
rigger size 0 or 1 and 1 inch flat or larger);
Watercolour Paper (either Saunders or
Arches; Weight & Grade. = 300 gsm rough); Pigment
(I would like you to use Artists quality pigment in preference to Student
quality as you achieve better results – Colours
: Quinacridone Gold, Permanent Magenta, French Ultramarine); Other items ~ Watercolour
palette (white in colour with big areas for
mixing), backing board (MDF or Perspex -
approx half sheet size), pencils (2B or
4B), kneadable
eraser or plastic eraser, old
towel, box of tissues, water sprayer, 1 large water container, roll of 18mm masking tape, note book and pen for note taking, small sketch book.
Portraiture (Margaret Fredrickson)
Notebook; pencils [2B + 6B]; graphite pencil; a stick of willow charcoal; sealed piece of cartridge paper [sealed with
undercoat or gesso] OR a cheap painting board for surface; a stick of red or orange conte
OR pastel OR ‘oil stick’.
DRAWING
Life Drawing (David Paulson) Cartridge
paper and charcoal
Observational
Drawing (
Observational Drawing (Mia
Clark) 2B, 4B, 6B pencils and a sharpener. Preferably, a grey Faber Castel Kneadable eraser, ruler, A3 pad of cartridge paper,masking tape, A4 display folder for notes and a
small or medium sized paper blender (torchon). Other
materials needed will be discussed in class.
Imaginative Drawing (Jill Barker)
Fine point Artline type pens, Pencils, Tracing paper,
Eraser/s, Any pastels, coloured pencils, aquarelles,
pen and ink if you have them, Cartridge paper, Drawing block, Sheets of coloured paper (this could be paper you have painted)
Scissors or cutting blade, Glue stick, Lots of magazines or other images to cut
up and any pieces of textured or unusual paper you’ve collected.
Expressive
Drawing (
Drawing the
Human Figure (
Drawing the
Human Figure (Frances McKennariey) 6 X cartridge paper, 6X butchers paper,
willow charcoal, compressed charcoal or conte, note
book, cloth/clean rag, 2 x large bulldog/foldback
clips, eraser (kneadable preferred).
PRINTING
Introductory Printmaking (Nancy Brown) [Available from Oxlades3846 0611 fax 3846
0622 www.Oxlades.com.au]: drypoint plate
Mylar [these come in assorted sizes];
papers [BFK Rives; Arches Vellum
250GSM or other 250gsm printing paper];
acid free tissue paper [5 sheets];
rubber gloves; clean cotton
rags; large sketchbook and drawing
materials; craft knife; scissors;
towel; you will be etching on
inexpensive aluminium and copper plates which can be
purchased from the tutor as needed.
Fabric Printing (Nancy Brown) 2 metres of cotton or poly-cotton fabric, scissors, rags,
rubber or disposable gloves, A4 sketch book plus choice of drawing materials,
cutting blade & cutting mat (optional). Please wear closed in shoes
Advanced
Printmaking (Wim de Vos) Notebook & pen;
an etching plate (size = approx. 120 – 150 x 100mm); a small fine tooth bastard file.
Etching (Wim de Vos) Notebook & pen; an etching plate (size = approx. 120 – 150 x 100mm); a small fine tooth bastard file.
3D
Ceramics 1 (Chris Elliott) Pen & notebook; barrier creme for
sensitive hands; old tooth brush; small plastic container; plastic knife & fork; a newspaper;
an old towel; a large sponge (car
wash type); a plastic bin bag; wear old clothes or apron & bring a
coffee cup.
Ceramics II (Chris
Elliott) Pen & notebook; barrier creme for
sensitive hands; old tooth brush; small plastic container; plastic knife & fork; a newspaper;
an old towel; a large sponge (car
wash type); a plastic bin bag; wear old clothes or apron & bring a
coffee cup.
Ceramics III (
Sculpture I &
II (Karl de Waal) Visual diary and a pen
Metal Sculpture (Allin
Dwyer) Visual diary & pen, pencil, wear
closed-in shoes and old clothes.
Mosaic & the 3D Form (Karl de Waal) Bring any bits of
pebbles or broken things (crockery etc) that you may like to incorporate in
your mosaic, palette knife; sponge; rags;
plastic gloves; a pair of tile
nippers (spring action with tungsten tip, $30hardware shops); safety goggles or glasses; (mosaic sheets, sealer and grout will be
supplied as well as some tools.).
Gold and Silversmithing (Eleisha Nylund) Notebook, pencil and ruler; wear closed-in
shoes and avoid flowing, loose garments;
long hair must be tied up.
PHOTOGRAPHY
Digital Photography I (
Digital
Photography II (
Black & White
Photography I (
Black &
White photography II (
THEORY
Art History I
& II (Karen Laird) Pen &
notebook; A4 plastic sleeve display book
( supermarket or newsagent, etc,).
Professional
Arts Practice (Jill Barker)
Notebook & pen.
CHILDREN
Childrens’ Term Art Class(Deborah Cavallaro) Please bring
morning tea, a mug for drinking water, and wear an apron or old clothes.